home *** CD-ROM | disk | FTP | other *** search
- <text id=89TT0590>
- <title>
- Feb. 27, 1989: In The Shadow Of Dutch Schultz
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Feb. 27, 1989 The Ayatullah Orders A Hit
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 76
- In the Shadow of Dutch Schultz
- </hdr><body>
- <p>By Paul Gray
- </p>
- <qt> <l>BILLY BATHGATE</l>
- <l>by E.L. Doctorow</l>
- <l>Random House; 323 pages; $19.95</l>
- </qt>
- <p> Near the end, the narrator of this riveting novel refers to
- all that has gone before as "this story of a boy's adventures."
- Some boy. Some adventures. Both are as far as they could be from
- innocent visions of Tom Sawyer or Horatio Alger. Even
- discounting a particularly bloody penultimate encounter, Billy
- Bathgate directly witnesses two murders and helps dispose of
- the body of a third victim. In each case, the perpetrator is
- the notorious gangster Dutch Schultz, ne Arthur Flegenheimer,
- Billy's self-described "mentor" and as romantically dangerous a
- father figure as any lad could desire. Billy is his real name,
- Bathgate an alias he has invented, lifted from a street, known
- for its open-air markets, a few blocks from his birthplace in
- the Bronx. Billy's education in the criminal life is completed
- before his 16th birthday.
- </p>
- <p> Those who have followed E.L. Doctorow's career -- a
- considerable number, judging from the commercial and critical
- successes of previous books -- will find much in Billy Bathgate
- that feels, initially, familiar. As in Ragtime (1975), this
- novel mingles fictional characters with historical ones:
- Schultz, Walter Winchell, Thomas E. Dewey. The setting combines
- Depression seediness and underworld glamour in a manner
- reminiscent of Loon Lake (1980). And this is not the first time
- Doctorow has written about a boy's coming of age in the Bronx;
- he did so in World's Fair (1985), even giving its made-up hero
- his own first name, Edgar. But the author is not simply
- repeating himself this time out. He is mixing elements from his
- other novels in a manner that proves combustible and
- incandescent.
- </p>
- <p> Part of the allure springs from the subject, which plays
- upon the mysterious fascination that outlaws and gangsters have
- always held for law-abiding American citizens. In this, Billy is
- a native son of his place and time, a poor section of the Bronx
- in 1935, which is distinguished in his eyes only by the fact
- that the famous Dutch Schultz grew up there. In truth, Schultz
- still runs a beer drop in the vicinity, even though Prohibition
- has been repealed: "We were honored to know that our
- neighborhood was good enough for one of his places, we were
- proud we enjoyed his confidence." When he manages to attract
- the great man's attention and becomes what Schultz calls his
- "prodigy," Billy senses that destiny has blessed him "with the
- faintest intimation that I might be empowered. That is the
- feeling you get, that your life is charmed, which means among
- other things that it is out of your hands."
- </p>
- <p> He thus becomes a receptive but essentially passive observer
- of a garish, deadly world, living, as he puts it, "in the very
- pulsebeat of the tabloids." He freely enters Mob-owned
- nightclubs and elegant, exclusive brothels. When no one,
- including reporters or federal agents, can find Schultz, Billy
- is allowed into his presence: "It is spectacular enough to see
- someone in the flesh whom you've only known in the newspapers,
- but to see someone the newspapers have said is on the lam
- definitely has a touch of magic to it." The young apprentice
- also learns that "I had caught on with the great Dutch Schultz
- in his decline of empire, he was losing control." The mobster's
- legal problems are mounting, his bribe money is no longer good
- in New York City, and gentlemen competitors of Italian ancestry
- -- Schultz calls them "dago scungili" -- are moving in on his
- operations. Dreadful events threaten; all of them occur, and
- then some.
- </p>
- <p> Its period authenticities and relentlessly violent plot
- practically guarantee Billy Bathgate a sale to the movies. Good
- luck to all concerned, for the novel's greatest strength resides
- in its least cinematic feature. Billy's language -- breathy,
- breakneck, massing phrases into great cumulus sentences that
- rumble with coming rough weather -- is totally unlike the short,
- syncopated rhythms of Ragtime. At first, readers may wonder how
- this young, confessed truant has run across terms like
- "dissynchronously" or where he picked up the poetic skills to
- describe a waterfall: "At the very bottom there hovered a
- perpetually shimmering rainbow as if not water but light was
- pouring and shattering into its colors." Doctorow eventually
- accounts for Billy's erudition, but by that time, no explanation
- is really required. Billy's voice has long since justified both
- itself and the unique power of the written word: it is
- convincing, mesmerizing and finally unforgettable.
- </p>
-
- </body></article>
- </text>
-
-